Being wed for two years and raising a son who already was a year old,
Geetaji found little more time in the year 1955 to participate in singing. Her husband Guru Dutt made “Mr. & Mrs. ‘55” during
1955. It had Madhubala and Guru Dutt in the leads and was directed by Guru Dutt himself. Its music once again was composed by
O.P. Nayyar. By this time, the Geetaji-OP tandem were in sync as the pair delivered hit after hit. “Mr. & Mrs. ‘55” was no
different. This had nine songs and Geetaji sang six of them.
Year 1956 was another eventful year in Geetaji’s life. She gave birth to her second son, Arun, on July 10. With her first son
growing up, with the arrival of newly born, and her husband Guru Dutt busy with the production of “C.I.D.” and laying groundwork
for his groundbreaking “Pyaasa”, she still managed to find time to sing.
In “Toofan Aur Diya” released in 1956, she sang three songs for Vasant Desai (two solos and a duet). One of the outstanding song
from this was the solo Geetaji sang “Meri Aan Bhagwan”.
Geetaji was back singing for Burmanda in two movies in 1957. These were “Nau Do Gyarah” (two solos and a duet) and “Pyaasa”
(three solos and a duet). Guru Dutt’s “Pyaasa” was a landmark in Indian movie history. It was voted as one of the top 100 movies
in the world by the Time magazine.
In spite of many personal problems she was having, Geetaji, a phenomenon she was, still found time to keep her singing career
intact as late as 1958 and 1959. Singing was her love. She wasn’t going to give it up without a fight. In her husband’s “Kaagaz
Ke Phool” Geetaji sang the song of her life. “Waqt Ne Kiya Kya Haseen Sitam”.